Around this period, the well-respected firm Imaginary Forces had a number of lovely high-profile titles and key-art pieces everywhere, and so for some reason, I decided to emulate what was becoming a stylistic habit for I.F.: dark, layered, blue glowing stuff. This was before I had a chance to see any of the footage from the show itself, so I had no idea what the emotional tone was going to be. And despite the loss-of-innocence angle the plot held, the show had a bright, cheery, ain't-baseball-still-grand aura about it that this dark, slick vision simply didn't convey.
Sunday, December 13, 2009
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